Jennifer “Jenncity” Arroyo
A Pale Horse Named Death
Tim “No37” Martinez
Black Water Rising
“Evil” Steve Ventura
God’s Green Earth
We have an announcement to make!!
We’d like to first welcome Bob Marino on board. You might remember his name from our friends OFNR Studios. Bob is helping us fine tune things and make us a bigger BEAST.
With that said we are working on updating our official website. So within the next few hours you might have trouble viewing our website as Bob does a upgrade to it. You will still be able to listen by app or TuneIn IF the website is down long term.
Stay tuned as big things are coming.
A brand new SLIPKNOT song titled “The Negative One” is available for streaming on the band’s official web site. The track is expected to appear on the group’s upcoming album, which is due out sometime this fall via Roadrunner.
**Note**: After listening to “The Negative One” for the first time, you must sign up for an e-mail list before you are able to hear it again.
A music video for “The Negative One” will be released on Tuesday, August 5.
SLIPKNOT singer Corey Taylor told The Pulse Of Radio the band has finished recording the new CD and is now in post-production. “The album is done,” he said. “Everything’s done. Right now we’re just, we’re getting the artwork together, we’re getting all the other accouterments together, and it’s feeling really, really good. We’re just stoked, you know. Now it’s like, ‘Okay, we need to hurry up and get it out,’ you know. So yeah, we’re really excited.”
SLIPKNOT‘s fifth studio album and first since 2008’s “All Hope Is Gone” is also the band’s first without late bassist Paul Gray, who died in 2010, and drummer Joey Jordison, who was dismissed in late 2013.
Asked what has been most fulfilling about working on new SLIPKNOT music that he never experienced before, Corey told Full Metal Jackie: “This one, it just feels, there’s something weird about this one. Obviously this is the first album we’re making without Paul.
“After everything we went through, there’s a catharsis that comes with this, being able to throw all the emotion and aggression out that we’ve been holding onto. At the same time, getting to be creative again. Feeling that juice coming back into us. It’s been a real positive experience just from an artistic standpoint, a lyrical standpoint.
“We’re making an album that’s not just a reflection. Let’s just get new music out there. There’s something very vital with what we’re trying to do. There’s something very visceral with the emotion we’re playing with and trying to tell the story of a band that’s gone through hell, and yet we’re back. It’s been really fulfilling.”
Corey recently described the musical direction of the new SLIPKNOT material as “a great mesh of [2001’s] ‘Iowa’ and [2004’s] ‘Vol. 3: (The Subliminal Verses)’.” He explained: “You’ve got the gorgeous melodies and the artistic direction of ‘Vol. 3’ and then you’ve got the absolute brutality of ‘Iowa’. And I think people are gonna lose their minds when they hear it.”
Reports have suggested that SLIPKNOT has recruited drummer Jay Weinberg to play on the new album and tour. Weinberg is the son of Max Weinberg, longtime Bruce Springsteen and the E STREET BAND drummer. There are also rumors that SLIPKNOT is no longer working with Donnie Steele, the group’s original guitar player who has been playing bass for SLIPKNOT since the band resumed touring in 2011.
SLIPKNOT announced in December 2013 that it had parted ways with Jordison. The band has not disclosed the reasons for Jordison‘s exit, although the drummer issued a statement in January saying that he did not quit the group.
The second edition of SLIPKNOT‘s Knotfest event will take place on October 24-26 in San Bernardino, California. More than two dozen other acts will join the headliners, including FIVE FINGER DEATH PUNCH, VOLBEAT, OF MICE & MEN, IN THIS MOMENT, HELLYEAH and ATREYU.
According to The Des Moines Register, a lawsuit filed by the widow of SLIPKNOT bassist Paul Gray against his former doctor has been dismissed.
Polk County District Judge Dennis Stovall ruled that Brenna Gray waited until after the two-year statute of limitations had run out before filing the lawsuit against Dr. Daniel Baldi.
Paul Gray was found dead on May 24, 2010 after overdosing on drugs in a hotel room in a suburb of Des Moines, Iowa, where he and SLIPKNOT were based. Brenna filed her suit on February 14, 2014.
Brenna Gray‘s lawyer, Bruce Stoltze, argued that the statute of limitations shouldn’t have started until Gray had reason to believe Baldi caused her husband’s death, but the judge disagreed.
Daniel Baldi was acquitted in May of seven criminal counts of involuntary manslaughter. He was accused of causing the deaths with his careless prescription habits
Brenna Gray testified during Baldi‘s trial that Paul‘s final weeks were a “blur of extreme drug abuse,” which neither his doctor nor his bandmates would help his wife confront. She said that Baldi continued to prescribe Xanax for Paul despite knowing that the musician was a drug addict, saying, “I just wasn’t really sure why he was on it, why he needed it along with the medication he was taking for addiction.”
Baldi‘s lawyer cross-examined Brenna, asking her if she was aware that her husband overdosed on the painkillers fentanyl and morphine, neither of which Baldi ever prescribed to him.
Brenna also testified that she tried reaching out to some of Paul‘s bandmates in SLIPKNOT just days prior to the bassist’s death but that none of them wanted to get involved. She revealed, “One was playing golf two minutes away from our house but couldn’t come. Nobody else cared, nobody was involved. They told me it was my problem.”
SLIPKNOT singer Corey Taylor told The Pulse Of Radio back at the one-year anniversary of Gray‘s death how he felt about the loss of his friend and bandmate. “I just miss him, you know,” he said. “I miss him so much sometimes that it doesn’t feel like he’s gone, and there are times when I’m thinking and he’s in my train of thought and I have to stop myself and go, ‘Oh, God, he’s not here.’ But you know, I mean, there’s not a day that goes by that I don’t miss him. I mean, not even as far as the band goes — I wish that he was there to watch his daughter grow.”
Brenna revealed in a 2011 interview with Revolver that her husband had agreed to get help for his drug problem just one day before he died.
Paul was 38 years old at the time of his death. He left behind his widow and a daughter, October, who was born three months after his passing.
After a lengthy hiatus, SLIPKNOT resumed touring in 2011, with Donnie Steele playing bass live. The band recently completed work on its first album without Gray.
SIXX: A.M., the band featuring MÖTLEY CRÜE bassist Nikki Sixx alongside guitarist DJ Ashba and vocalist James Michael, will release its third album, “Modern Vintage”, on October 7. The CD’s first single, “Gotta Get It Right”, will hit iTunes and radio on August 5.
Says Sixx: “Like our favorite bands from the 1970s, SIXX: A.M. is rooted in songwriting, musicianship and lyrics — three core elements that helped to define that era. SIXX: A.M. has taken even more pages from this book on ‘Gotta Get It Right’ and the rest of ‘Modern Vintage’, having hopefully created a record that demands to be discovered again and again.”
The video for “Gotta Get It Right” was directed by Paul Brown in mid-June and will premiere on VEVO on August 6.
Says Michael, who also produced “Modern Vintage”: “On the first two albums, SIXX: A.M. established a musical freedom that few bands get to enjoy. ‘Gotta Get It Right’ is clearly a birth child of that creative freedom and an exciting next step for us as our goal was to create something which confounds both expectation and categorization.” Ashba adds: “‘Gotta Get it Right’ is a great example of how SIXX: A.M. has set out to celebrate the music that has influenced us over the years and we truly feel we’ve made a genre defying album with ‘Modern Vintage’.”
“Modern Vintage” track listing:
02. Gotta Get It Right
04. Get Ya Some
05. Let’s Go
07. Give Me A Love
09. High On The Music
11. Before It’s Over
Sixx spoke to Revolver magazine last year about how the new SIXX: A.M. CD is different than its predecessors. “When we did [our 2007 debut] ‘The Heroin Diaries’, it was the soundtrack to a book,” he said. “And when we did ‘This Is Gonna Hurt’, there was a lot of inspiration that drew from the photography in my book ‘This Is Gonna Hurt’ as well as the bandmembers’ personal experiences and how they related not only to the characters in the book, but what they’d gone through growing up. Without meaning to, it hinted at this whole concept of bullying. If you’re different than other people you’re made fun of and you’re made to believe you’ll never achieve your dreams. Loosely, that’s what ‘This is Gonna Hurt’ was about. We feel like between ‘The Heroin Diaries’ and ‘This is Gonna Hurt’, we’ve exposed a lot of wounds and we’ve talked about how to recover from them, but we haven’t had a chance to really celebrate. I think this album is a celebration.”
Asked if SIXX: A.M. took a different approach to writing the songs this time around, Sixx said: “We put a lot fewer restrictions on ourselves. We went into genres that you wouldn’t expect us to possibly be influenced by, but unless you know the bandmembers, you don’t know that there are all kinds of influences, especially from the ’70s and some of the great bands that came out of that era. So when we started writing, it was almost ridiculous. The songs were so left of center that you’re like, ‘These could never be on a record.’ We were creating something so different, and once we got the songs written, people said, ‘God, it reminds me of QUEEN‘s ‘Night At The Opera’ at times. It reminds me of EDGAR WINTER GROUP ‘Free Ride’ and these amazing things off of ‘They Only Come Out At Night’. There was still the drama and the texture that SIXX: A.M. brings, but there was this celebration happening. Then as we started layering in the guitars, bass, drums and vocals, you started to go, ‘Wow, this is a SIXX: A.M. album!’ But it started out as not.”
Sixx also spoke about whether he is concerned that the musical diversions won’t appeal to fans of the first two SIXX: A.M. albums.
“I think SIXX: A.M. fans are going to love this record and I think new people will come in and be really surprised by it and become fans as well,” he said. “I don’t think our first two records sound like the same type of record, but I do think there’s a sound with the band and I think we’re going to continue on that tradition.”
SIXX: A.M., made a rare appearance — its first in four years — on April 11, 2012 at Revolver Golden Gods Awards at Club Nokia in Los Angeles.
As each band member has been kept busy with their other careers — Sixx is also a syndicated radio host; Ashba is a member of GUNS N’ ROSES; James Michael is a famed rock producer who has worked on records for PAPA ROACH, HALESTORM and others — this marked the band’s first chance to perform in support of their “This Is Gonna Hurt” album, which supplied the #1 rock anthem “Lies Of The Beautiful People”.
“7”, the latest EP from SIXX: A.M., came out in December 2011 and sold around 2,700 copies in the United States in its first week of release. The effort contained acoustic versions of songs from the group’s first two albums — 2007’s “The Heroin Diaries” soundtrack and 2011’s “This Is Gonna Hurt”.
Released on May 3, 2011, SIXX: A.M.‘s sophomore album, “This Is Gonna Hurt” is a companion piece to Sixx‘s “This Is Gonna Hurt: Music, Photography And Life Through The Distorted Lens Of Nikki Sixx” book, a follow-up to his New York Times bestseller, “The Heroin Diaries”.